As we finish up our last week here at Shangri La, we can’t help but to reflect on the amazing experiences we have had over the past eight weeks. Spending an entire summer surrounded by exquisite Islamic art and architecture on the southern coast of Oahu proved to be quite an experience. As part of our ongoing art conservation training at Buffalo State University and Winterthur/University of Delaware Program in Art Conservation and in conjunction with the Doris Duke Foundation for Islamic Art, we were able to participate in a project to help preserve another part of Doris Duke’s historic home: the Syrian Room ceiling. The project involved thoroughly documenting the ceiling’s condition as well as the inch-by-inch consolidation of loose and flaking paint and decoration. Much of the degradation observed on the ceiling is likely a result of its close proximity to the salty waters of the Pacific.
Although Shangri La’s oceanside locale is visually stunning, the physical and chemical effects from salt-laden aerosols incurred by the art and architecture on site are not as breathtaking. Salt-filled air from the Pacific Ocean passes through the open corridors of the home: corroding metals, penetrating painted surfaces, and otherwise accelerating the degradation processes of a myriad of materials. The preservation of the site as a whole requires constant upkeep by conservation, curatorial, and maintenance personnel.
Given these aggressive environmental conditions (salt, water, heat- oh my!) and the current state of the ceiling, the required treatment was addressed using an “archaeological site approach.” Essentially, this site needs help, and it will not spend its life in a dim-lit, temperature and RH-controlled environment, so a more intense intervention is required. With syringes and paintbrushes in hand, we injected and wicked adhesive into every crevice and cupped paint flake necessary to prevent further flaking and cracking to ensure the stability of the surface as a whole. The project took us approximately one month to complete.
Shangri La conservator Kent Severson, ensured us that for the remaining four weeks of our internship, there was no shortage of objects to work on. The greatly anticipated opening of the Mughal Suite initiated our first project: the treatment of two Krishna sculptures. Both sculptures required the removal of corroded iron dowels and the reattachment of appendages with stainless steel dowels and polyester resin. Collectively, this summer we have been given the chance to work on sculptures and architectural elements made from schist, marble, stone, ivory, gold, and mother of pearl. The internship here at Shangri La provided a great opportunity to work with a truly unique collection made from vastly different materials and techniques.
We have learned a great deal this summer about Shangri La, Doris Duke, and the conservation of the collection, and we have also learned a great deal about Hawaii and Hawaiian culture and hospitality. It is with a heavy heart we bid adieu to our Shangri La ohana, we will miss you dearly!
Nick and Nicole